vampire, bloodsucker, Dracula,
bloody, gory, sanguinary, red, sanguinary
vampire films, Gothic films, horror films, thriller,
Monday, April 27, 2015
Research Plan
Vampire
is a famous and popular image in west culture. Usually, vampire is regarded as
an element of evil, bloody and violence. Through analysis of vampire the symbol
in film about vampire, I intend to explore how the symbol of vampire changed
with time goes by. In this research, I will focus on some typical films such as
Nosferatu, Bram Stoker's Dracula, and
Interview with the Vampire. From these films, I will explore the meaning of
vampire the symbol and make audiences have better understanding of complicated history
of vampire.
Vampire
is an attractive element in novels and films, but the image of vampire have always
been changed. Many audiences are confused when they watch films about vampire
because the vampires in different films have different images. Sometimes they
are ugly and violence, while sometime they are elegant and beautiful. This research
will provide a completed history of the change of vampire’s image in films to
discuss how vampires’ images have been changed.
This research
will use some films about vampire as example to explore different vampires in
different periods. The main method I choose is textual analysis. Other author’s
point of view will be referred, and the research will be objective and factual.
Saturday, April 25, 2015
Purpose statement
Purpose statement:
The purpose of this study is to explore
the change of images of vampire in film.
Central question:
How are the images of vampire changed in
film?
Sub-question:
How is the image of vampire in Nosferatu,
A Symphony Of horror?
How are the images of vampire in Bram
Stoker's Dracula and Interview with the Vampire?
How are the images of vampire in True
Blood and Twilight?
Friday, April 10, 2015
final draft
https://docs.google.com/a/kean.edu/document/d/1k95OAzQxK8IhaYn8D9aUbhhjJ7lEzCwPfrADYfDovU0/edit?usp=sharing
Thursday, April 9, 2015
UPenn CPF
CFP
1.
Gothic and Horror Studies
The collection is seeking submissions of
articles and reviews that deal with any aspect of Gothic and horror studies,
including (but not limited to) literature, film, television and new media.
2.
Gothic Performances and the Literary
Audience
The collection is interested in the way
Gothic influence society. Gothic texts capitalize on terrorizing beings,
hauntings, or psychological torment as a means to confront repressed ideas or
emotions. From a variety of mediums, including literary texts, films, graphic
novels, and TV shows, finding the effect of the socio-historical performances
within the gothic text have on the public's perception of society and cultures.
3.
Gothic Tourism
The collection seeks abstracts for a book
proposal on 'Gothic Tourism: New International Perspectives' (working title),
to be submitted to a high-profile academic publisher.
Topics of particular interest include,
but are not limited to:
•Definitions,
histories, and/or taxonomies of Gothic tourism
•Gothic
tourism and specific places – nations, regions, localities
•Experiences
and examples of Gothic tourism – specific sites (such as castles, houses, crime
sites and other locations)
•Gothic
tourism in literature, film, television, music and other popular culture
•Gothic
tourism in art and advertising
•Gothic
tourism and food
•Digital
Gothic tourism
•Gothic
tourism and technology
•Gendered
dimensions of Gothic tourism
•Queer
Gothic tourism
•Gothic
tourism and Indigenous peoples
•Gothic
tourism, writing and publishing
•Gothic
tourism, the souvenir industry and commerce
•Globalisation
and Gothic tourism
•Combinations
of the above, and/or other relevant topics
Text/subjects
1.
Edward Scissorhands (X)
The Gothic style without religion, vampire or witchcraft; Gothic
style hides in soft plot; lonely and scared of the main character (Y)
2.
Dracula(X)
The change of protagonist, Dracula; love between Dracula and his
wife compare with his loyalty to the god; the meaning of true love (Y)
3.
Interview with the Vampire: The
Vampire Chronicles (X)
The life of vampire; the emotion of vampire; how vampire influence
normal people (Y)
4.
Wolf (X)
The change of protagonist: from normal to a werewolf; the
difference experience between two different lives; whether the change is good
or not (Y)
5.
Queen of the Damned (X)
Vampire lives in modern society; love between vampire and normal
people; the change of vampire’s attitude to attack human (Y)
Thursday, April 2, 2015
Ye Weili.SA1.doc
https://docs.google.com/a/kean.edu/document/d/14lYGh_gXCmRtSNTUhYQI_-WhcYi-WYwBOkHrTvLoLcQ/edit
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